tag:blogger.com,1999:blog-22862509141181954332024-02-20T15:28:52.491-05:00ARTedThe Education Division of The Art Studio of Jennifer PolilloAnonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.comBlogger129125tag:blogger.com,1999:blog-2286250914118195433.post-40220457784235009422015-11-07T12:15:00.002-05:002016-01-27T19:48:26.692-05:00Acrylic Techniques<h1 style="text-align: left;">
<b>Acrylic Painting Techniques. Discover, Explore, Experiment!</b></h1><div><h1><span style="font-weight: normal; font-size: 17px; -webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">By Mark Waller and Frankie Sharman </span></h1></div><h1 style="text-align: left;"><span style="font-family: 'Helvetica Neue Light', HelveticaNeue-Light, helvetica, arial, sans-serif; font-size: 17px; font-weight: normal; -webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">More </span><span style="font-size: 17px; -webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);"><span style="font-weight: normal;">information available at </span><a dir="ltr" href="http://www.explore-acrylic-painting.com/acrylic-painting-techniques.html" x-apple-data-detectors="true" x-apple-data-detectors-type="link" x-apple-data-detectors-result="1" style="font-weight: normal;">www.explore-acrylic-painting.com/acrylic-painting-techniques.html</a><span style="font-weight: normal;"> </span></span></h1>
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<b>Your overview of some of the most popular<br> acrylic painting techniques. Dig in!</b></h3>
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Acrylic paints have come a long way. In fact, they have come so far that in many ways <b>they can outperform oils</b>. They have improved such that many painting techniques that have been traditionally associated with oils, are now <b>easily possible with acrylics</b>.<br>
I will say however, that it is important to <b>keep your mind open</b>. Don't discount other mediums - occasionally dive in and use them. It can <b>vastly improve your arts practice</b>, often in ways you won't see for a while.<br>
Back to acrylic painting techniques. There are a <b>pile of "O's"</b> that have been developed ever since people started pushing coloured goop around. <span style="text-decoration: none;"><a href="http://www.explore-acrylic-painting.com/impasto.html" target="_blank">Impasto</a></span>, Scraffito, Verdaccio, Chiaroscuro (which I have trouble pronouncing. I swear the spelling changes every time I look at it) and others.<br>
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<a href="http://www.explore-acrylic-painting.com/acrylic-glazing.html" target="_blank" title="Go to Acrylic Glazing. A Match Made In Heaven."><img alt="Learn how glazes can add excitement & lifelike depth to your paintings." src="http://www.explore-acrylic-painting.com/images/241xNxAPT-Glazing.jpg.pagespeed.ic.GpB1gAQOOO.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Glazing.jpg" title="Learn how glazes can add excitement & lifelike depth to your paintings." width="241"></a></div>
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<span style="color: #669966;"><b>Glazing - Master The Mystery</b></span></div>
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<a href="http://www.explore-acrylic-painting.com/textured-art.html" target="_blank" title="Go to Creating Textured Art Is Easier Than You Think. "><img alt="create some texture in your art with these simple tips!" src="http://www.explore-acrylic-painting.com/images/248xNxAPT-Texture.jpg.pagespeed.ic.VG8LWOaE7W.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Texture.jpg" title="create some texture in your art with these simple tips!" width="248"></a></div>
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<span style="color: #669966;"><b>Create Some Texture</b></span></div>
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<a href="http://www.explore-acrylic-painting.com/gradation.html" target="_blank" title="Go to Painting a Gradation of Colour - Master This Fundamental Skill "><img alt="master the basics! Painting gradations well is one of the most beneficial skills in your painting arsenal." src="http://www.explore-acrylic-painting.com/images/241xNxAPT-Gradation.jpg.pagespeed.ic.PnsjYZNjR3.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Gradation.jpg" title="master the basics! Painting gradations well is one of the most beneficial skills in your painting arsenal." width="241"></a></div>
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<span style="color: #669966;"><b>Gradation - The Fundamentals</b></span></div>
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<a href="http://www.explore-acrylic-painting.com/underpainting.html" target="_blank" title="Go to Underpainting - What's The Big Deal?"><img alt="Learn how to set up your painting with your underpainting." src="http://www.explore-acrylic-painting.com/images/242xNxAPT-Underpainting.jpg.pagespeed.ic.6kEqChhrMh.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Underpainting.jpg" title="Learn how to set up your painting with your underpainting." width="242"></a></div>
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<span style="color: #669966;"><b>Underpainting - Why Bother?</b></span></div>
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<a href="http://www.explore-acrylic-painting.com/brush-technique.html" target="_blank" title="Go to Your Brush Technique. An Important Foundation. "><img alt="Your brush technique - more important foundation skills for you" src="http://www.explore-acrylic-painting.com/images/242xNxAPT-Brush-Technique.jpg.pagespeed.ic.FS-PI-R-Ge.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Brush-Technique.jpg" title="Your brush technique - more important foundation skills for you" width="242"></a></div>
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<span style="color: #669966;"><b>Brush Technique. Need To Know!</b></span></div>
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<a href="http://www.explore-acrylic-painting.com/impasto.html" target="_blank" title="Go to Impasto. Building Texture With Dollops of Fun."><img alt="Impasto technique - build, build, build your texture!" src="http://www.explore-acrylic-painting.com/images/241xNxAPT-Texture-2.jpg.pagespeed.ic.of4hV3bjkB.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/APT-Texture-2.jpg" title="Impasto technique - build, build, build your texture!" width="241"></a></div>
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<span style="color: #669966;"><b>Impasto - </b></span><span style="color: #669966;"><b>Gloopy Fun</b></span></div>
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As well as that there are dozens of other acrylic painting techniques that appear in painting literature. You may never need to know some of them, and most may have been created for use with oils - however, many are wonderful techniques that will <b>bring a new dimension to your work.</b><br>
Experimenting with these techniques is a <b>great excuse to chuck some paint around</b> (as if you needed one).<br>
Lets look at a couple of acrylic painting techniques.<br>
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<img alt="Red blob of acrylic paint. Blobs of fun!" src="http://www.explore-acrylic-painting.com/images/428xNxred-blob.jpg.pagespeed.ic.9aXpN1RDyw.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/red-blob.jpg" title="Red blob of acrylic paint. Blobs of fun!" width="428"></div>
<b>Glazing</b><br>
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<a href="http://www.explore-acrylic-painting.com/acrylic-glazing.html" target="_blank">I love glazing.</a> Mixing thin glazes tinted with pigment is exciting in many ways. You can make small adjustments in colour and hue, AND it can <b>bring life to something </b>that is a little dead.<br>
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Better painters tend to have an ability to avoid and recover from mistakes. <b>Glazing is one way to do that</b>. It's fun and is much easier to do with acrylics. <b>Glazing is a must</b> for your acrylic painting techniques repertoire.<br>
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<b>Scumbling</b><br>
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Another technique perfect for acrylic paints is scumbling. This involves <b>brushing broken and/or thin layers of paint over another </b>so that some of the paint beneath it shows through.<br>
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You can remove the thin paint with a cloth, brush, piece of plastic or even a hammer should the mood take you! Faster drying times mean the sooner you get to scumble again. Also <b>the word "scumble" just sounds really cool</b>. Use it in a sentence today!<br>
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<b>Alla Prima</b><br>
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Another fun acrylic painting technique. Roughly translated, it means "at once". If you have worked plein air (roughly translated as "outside") then you have probably worked this way. <br>
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"Chucking paint around" certainly fits here. It was a method developed by the impressionists who worked quickly to capture a fleeting "impression". Certainly <b>a fun way of painting</b> which leads nicely into...<br>
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<b>Wet On/In Wet</b><br>
This method of applying paint obviously refers to working over the surface <b>while the paint</b> <a href="http://www.explore-acrylic-painting.com/underpainting.html" target="_blank">beneath</a> (and around)<b> is still wet.</b><br>
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This goes hand in hand with <a href="http://www.explore-acrylic-painting.com/impressionism-art.html" target="_blank">impressionism</a> and plein air painting. It can be a little harder to manage because of the faster drying times, although most quality acrylic paint companies have <a href="http://www.explore-acrylic-painting.com/acrylic-painting-medium.html" target="_blank">additives</a> that <b>extend the drying time</b>. Atelier Slow Medium is a case in point.<br>
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Working wet on wet can often "build" some <a href="http://www.explore-acrylic-painting.com/textured-art.html" target="_blank">texture</a> in your work.<br>
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<b>Watercolor Effects</b><br>
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Generally this is mixing and laying watered down pigment and allowing it to blend, and <b>do its own thing to a certain extent</b>. This acrylic technique can create lovely, luminous effects. <a href="http://www.explore-acrylic-painting.com/best-paint.html" target="_blank">Good quality acrylics</a> are OK for this as they have <b>fine and strong pigments.</b><br>
Working with water colours is not something that I know a lot about. It is a style of painting that is a little more "sudden death" than I am happy with. Having said that, I’m happy to borrow some ideas.<br>
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<b>Chiaroscuro</b><br>
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A technique using the contrast between a painting's <b>light and dark parts for dramatic effect</b>. This contrast can create a powerful illusion of depth.<br>
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I love painting the deep shadows under <a href="http://www.explore-acrylic-painting.com/how-to-paint-trees.html" target="_blank">trees</a> on a bright summers day. Lots of light, lots of <a href="http://www.explore-acrylic-painting.com/shadow-painting.html" target="_blank">strong shadow.</a> Lots of depth. Caravaggio & Rembrandt often used this technique.<br>
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<b>Stippling</b> <br>
Great for acrylics. <b>Fast drying time means you get to stipple sooner. </b>This, from a painter's perspective, means using the end of the bristles on a brush to create many small "spots" of colour; a great way to create the illusion of "grain" or texture.<br>
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This acrylic technique done more broadly, can help you paint leaves, for example, easily.<br>
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<img alt="Luscious bright, gloopy paint!" src="http://www.explore-acrylic-painting.com/images/428xNxyellow-blob.jpg.pagespeed.ic.iNjgewgGoY.jpg" data-pin-media="http://www.explore-acrylic-painting.com/images/yellow-blob.jpg" title="Luscious bright, gloopy paint!" width="428"></div>
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<span style="font-size: 19px;"><b>Creating Texture</b></span></div>
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A couple more "O"s here, and a whole stack of methods for <u><a href="http://www.explore-acrylic-painting.com/textured-art.html" target="_blank">creating texture.</a></u> Old generation acrylics dried very flat. All the lovely lumps you went to the trouble of creating disappeared when the work dried. Bum. Some newer <u><a href="http://www.explore-acrylic-painting.com/atelier-interactive.html" target="_blank">acrylic paints</a></u> <b>have more "body"</b>, which solves some of that problem.<br>
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As a bonus there are a range of <u><a href="http://www.explore-acrylic-painting.com/acrylic-painting-medium.html" target="_blank">mediums and additives</a></u> which can solve any remaining issues. Lots of luverly piles of thick juicy paint. Yum. <b>Impasto Gel</b> is just one such product, available in many different brands and consistencies. <a href="http://www.explore-acrylic-painting.com/using-impasto-gel.html" target="_blank">Experiment</a> to discover what you like to <span style="text-decoration: none;">create "build"</span> with.<br>
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<b><span style="color: #669966; font-size: 17px; font-weight: normal;"><b>Scraping</b></span></b><br>
Again, this acrylic technique is pretty self explanatory. It can be done with whatever takes your fancy, and involves <b>scraping through layers of paint</b>.<br>
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This will require some slightly different approaches than it would for oils. A faster drying time can cause problems if you are new to this. In other circumstances the faster time is an asset.<br>
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<b><span style="color: #669966; font-size: 17px; font-weight: normal;"><b>Dry Brush Technique</b></span></b><br>
<u><a href="http://www.explore-acrylic-painting.com/dry-brush-technique.html" target="_blank">Dry brushing</a></u> refers to "dry" paint being dragged across the surface so that flecks of colour are collected by the high spots on the canvas, or previous brush-marks. This is a great way of <b>building up colour</b> incrementally and of <b>creating "grain"</b>.<br>
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This is particularly great for acrylics as the <u><a href="http://www.explore-acrylic-painting.com/underpainting.html" target="_blank">underpainting</a></u> dries quickly allowing the impatient (me) to work over an area as soon as possible.<br>
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<b><span style="color: #669966; font-size: 17px; font-weight: normal;"><b>Impasto</b></span></b><br>
<u><a href="http://www.explore-acrylic-painting.com/impasto.html" target="_blank">This acrylic technique</a></u> involves a <b>thick, luscious and juicy</b> paint application. Need I say more? <b>Trowel it on I say!</b> Chuck it on with your hands. Lay it on with a spoon. You get the picture.<br>
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A sensational acrylic painting technique, and it doesn't take three and a half years to dry. <a href="http://www.atelieracrylic.com/artists-mediums" target="_blank">Impasto gel</a> is a great additive for this style of painting.<br>
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<b><span style="color: #669966; font-size: 17px; font-weight: normal;"><b>Sgraffito</b></span></b><br>
This acrylic painting technique involves <b>scratching into the top layer of paint</b> to reveal areas of the surface underneath. In some ways this is better suited for oil paint as the paint stays wet longer.<br>
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Although acrylic paint mixed with a retarder or slow medium can be used with the added benefit of allowing the surface to be reworked sooner.<br>
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<span style="color: #669966; font-size: 17px;"><b>Spattering/Spraying</b></span><br>
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This is fun. AND a really great way of <b>creating the illusion of gravel</b> or small shells (as examples) and texture or grain. Think tooth brushes, pressure packs, scrubbing brushes and air brushes. You get the picture. As I said, fun. You get to make a mess. I always end up with paint everywhere.<br>
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<span style="color: #669966; font-size: 17px;"><b>Faux Finishes</b></span><br>
<a href="http://www.explore-acrylic-painting.com/faux-painting.html" target="_blank">Faux painting</a> are acrylic painting techniques which include creating the illusion of stone, wood, fabric and more. There are some relatively simple techniques involved in creating marble and granite for example, and you get to have lots of fun and make a big mess (particularly with granite), which is always particularly gratifying. Even if the finish doesn't work out, you'll have had fun creating in the meantime!<br>
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<span style="color: #669966; font-size: 17px;"><b>Rubbing</b></span><br>
I'm a bit uncomfortable with this one. All sorts of teenage memories are coming up. Whoops, sorry. Its about paint isn't it. Rubbing refers to softening, or even taking layers of paint with a cloth or other abrasive (or caustic) material.<br>
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Generally I use it to <b>get rid of minor indiscretions</b>, but this acrylic technique can be used to <b>adjust colour</b> by revealing colour below or to create a "weathered" look. This kind of "shabby chic" look is all the rage right now (or so I've been told).<br>
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You have to admit that just reading all this stuff about acrylic painting techniques <b>makes you want to paint.</b> Scour my humour from your brain by jumping around like a fool with an arm full of loaded paintbrushes in front of a blank canvas (or canvases).Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com3tag:blogger.com,1999:blog-2286250914118195433.post-65356300346192658112015-11-07T12:04:00.000-05:002015-11-07T12:04:13.066-05:00Painting Exercises: Limited Focus, Shape, Color and the Notan in Studio Landscape<h1 class="entry-title">
<a href="http://blog.mitchalbala.com/painting-exercises-from-shape-to-color-strategy-in-studio-and-plein-air-landscape/" rel="bookmark">Painting Exercises: Limited Focus, Shape, Color and the Notan in Studio Landscape</a></h1>
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<a class="url fn n" href="http://blog.mitchalbala.com/author/mjalbala12/" title="Mitchell Albala">Mitchell Albala</a></address>
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– <abbr class="published" title="2011-06-24T18:41:48+00:00">Posted on June 24, 2011</abbr><span class="entry-cat"><strong>Posted in: </strong><a href="http://blog.mitchalbala.com/category/process/">Art Theory + Application</a>, <a href="http://blog.mitchalbala.com/category/lessons-from-painters/">Featured Artists</a></span></div>
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Each spring I teach a class at <a href="http://seattlefineart.org/" target="_blank">Gage Academy</a> called <em>Landscape: Essential Theory and Process</em>. It is an unusual class in that we don’t work outdoors, only in the studio. The class is structured around exercises that build core skills like site selection, value, simplification and massing, composition, and color strategies. These are difficult ideas for the beginner, intermediate (and even advanced!) painters to grasp — especially when they are trying to learn it <em>en plein air</em>, where they must deal with so much visual complexity and logistical issues. The hope is that by learning these concepts through exercises in the controlled, slow-paced environment of the studio, developing artists will have a foundation with which to make better observations and choices when they are outside.<br />
Students typically choose a different subject for each exercise, but in this class, one student, Maggie Sharkey, stayed with the same subject through much of the quarter, which made for a very cohesive demonstration of the progression. Maggie writes:<br />
<span style="color: #3366ff;">“Although the lessons on limited focus, shapes and 2- and 4-value studies were all excellent, the part of the class that really opened my eyes was color strategy. I have always relied strictly upon observation for color and wondered how I </span><span style="color: #3366ff;">could </span><span style="color: #3366ff;">possibly get out of that rut and be more expressive. By learning in detail about the effects of analogous, complementary, neutral and high-key expressive strategies I now realize that I can make color choices before I start a painting and unify them with shape, value and composition to create a complete expression of the scene.”</span><br />
The first few weeks of class are spent learning the requirements for a good subject. We talk a lot about <em>differentiation</em> — the ability to distinguish values, shapes and colors from one another, and how that keeps the picture organized and helps build the suggestion of space.<br />
<a href="http://blog.mitchalbala.com/?attachment_id=1985" rel="attachment wp-att-1985"><img alt="plein air limited focus" class="size-full wp-image-1985 alignnone" height="440" src="http://blog.mitchalbala.com/wp-content/uploads/2011/06/sharkey-ltd-focus.jpg" title="sharkey-ltd-focus" width="613" /></a><br />
<strong>Limited Focus. </strong>The first exercises are designed to force the student’s eye and hand toward simplification. The first act of simplification is a <em>limited focus</em> — imposing a “picture window” around the larger scene, which eliminates superfluous information and brings greater focus to the most important aspects of the composition. Here, Maggie eliminates more than 50 percent of her original photo, but in doing so, creates a composition that is less sprawling and more focused. Our eye moves nicely <em>into</em> the picture window and down the river. Note that the image is black and white. At this stage, when we only want to assess shapes, values and composition, color can actually complicate matters.<br />
<a href="http://blog.mitchalbala.com/?attachment_id=1988" rel="attachment wp-att-1988"><img alt="four-value landscape painting by Maggie Sharkey" class="alignnone size-full wp-image-1988" height="497" src="http://blog.mitchalbala.com/wp-content/uploads/2011/06/sharkey-4-value.jpg" title="sharkey-4-value" width="448" /></a><br />
<strong>4-Value Exercise. </strong>The 4-value exercise is one of my favorites, because it is always such a revelation to students. It is as much about value relationships as it is about simplification and massing. The goal is to translate the subject using just four values. Shapes must be kept relatively flat without any blending in between the values. Of course, there are <em>more</em> than four values in the subject, so this exercise forces us to make choices. Which one of the few values available is the best choice for each area of the painting? It is quite amazing to see how much can be conveyed with such an economy of shapes and values — the very point of the exercise.<br />
<a href="http://blog.mitchalbala.com/?attachment_id=1989" rel="attachment wp-att-1989"><img alt="two-value landscape painting by Maggie Sharkey" class="alignnone size-full wp-image-1989" height="501" src="http://blog.mitchalbala.com/wp-content/uploads/2011/06/sharkey-2-value.jpg" title="sharkey-2-value" width="448" /></a><br />
<strong>2-Value Exercise. </strong>This exercise also works with a limited set of values, but only two — black and white. Such strict value limitations asks the painter to make even more choices about how to interpret intermediate values. Which values will fall into white and which ones will fall into dark? Like the 4-value painting, the results can be a revelation. The high-contrast, pattern-like image that is produced is the most elemental, basic description of the underlying compositional energies. Therefore, this exercise (even on a smaller scale in pencil) can be used as a study to evaluate the weight and distribution of shapes in a composition. This type of study is called the <em>value plan </em>or <em>Notan</em>. The strongest lessons in composition for the entire class were realized in this exercise.<br />
Instructions for doing these exercises appear on pages 62–65 in my book, <em><a href="http://blog.mitchalbala.com/?page_id=143">Landscape Painting</a></em>.<br />
<a href="http://blog.mitchalbala.com/?attachment_id=1994" rel="attachment wp-att-1994"><img alt="analogous harmony landscape painting by Maggie Sharkey" class="alignnone size-full wp-image-1994" height="502" src="http://blog.mitchalbala.com/wp-content/uploads/2011/06/maggie-sharkey-analogy.jpg" title="maggie-sharkey-analogy" width="444" /></a><br />
<strong>Color Strategy.</strong> Once the values, simplified shapes, and composition are understood, then the class begins painting in color. In my approach to teaching landscape color, the original photo is never the primary reference for color. In fact, we don’t reference the color photo at all, only the black and white. Color is approached from the perspective of <em>color strategies</em>. In <em><a href="http://blog.mitchalbala.com/?page_id=1907">The Harmony of Analogy</a> </em>[<em>Artists & Illustrators</em>, July 2011], I write: <span style="color: #3366ff;">“When we look at nature we never say, <em>That just doesn’t look harmonious!</em> Because natural light is real, it never fails to be convincing. But for artists who paint not with sunlight, but pigments on canvas, harmony doesn’t happen by accident. It happens through the use of a structured color plan or <em>strategy</em>. A strategy is like a recipe for harmony — a set of color relationships that are proven to work well and can be used as a formula for building our color composition. Like the musician who composes in a particular key, in order to maintain certain types of harmonic relationships, the colorist relies on a strategy to maintain a cohesive relationship among the colors.”</span><br />
<span style="color: black;">The first color strategy we explore is analogous harmony. </span>Analogous colors are those that are most closely allied on the color wheel. Because analogous colors have an innate ability to create deeply harmonious relationships, they can a particularly effective strategy for landscape painters. Later exercises explore the complementary and neutral strategy.<br />
For her next painting Maggie first did a series of color studies (below) to determine which strategy would be best for that particular subject. Each study is about 3-1/2 inches and each one took no more than 15 minutes. She says, “I now realize that I can make color choices before I start a painting and unify them with shape, value and composition to create a complete expression of the scene.”<br />
<a href="http://blog.mitchalbala.com/?attachment_id=1999" rel="attachment wp-att-1999"><img alt="color strategy studies by Maggie Sharkey" class="alignnone size-full wp-image-1999" height="569" src="http://blog.mitchalbala.com/wp-content/uploads/2011/06/sharkey-4-color-studies.jpg" title="sharkey-4-color-studies" width="448" /></a><br />
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<strong>Additional Resources</strong><br />
<strong></strong>from Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice<br />›› Color Strategies, 104–105<br />›› Interpreting Shape and Mass, 62–65<br />›› Chapter 5: Simplification and Massing<br />
from this blog:<br /><a href="http://blog.mitchalbala.com/?p=437">Video Lesson: Color Strategies in Plein Air</a><a href="http://blog.mitchalbala.com/?page_id=385">Value Divisions in Landscape</a><a href="http://blog.mitchalbala.com/?page_id=224">The Harmony of Neutrals</a><a href="http://blog.mitchalbala.com/?page_id=1521">Demonstration: Exploring Composition Through a Limited Focus</a><a href="http://blog.mitchalbala.com/?p=1037">Excerpt from Chapter 5: Simplification and Massing</a></div>
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<a href="http://blog.mitchalbala.com/author/mjalbala12/"></a> <div class="author-meta">
<h4>
About Mitchell Albala</h4>
Mitchell Albala is the author of <em>Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice</em> (Watson-Guptill, 2009). A best-seller, the book has sold over 30,000 copies and is regarded as the "new classic of landscape." A respected teaching artist for more than 25 years, Mitchell currently teaches at Gage Academy of Art, Pacific Northwest Art School, artEast, and in 2015 Arte Umbria in Italy. He has also lectured at the Seattle Art Museum and written for <em>International Artist</em> and <em>Artists & Illustrators</em> magazines. He is represented by Lisa Harris Gallery. See his paintings at <a href="http://www.mitchalbala.com/">mitchalbala.com</a>. </div>
</div>
Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-68887001807325925922015-10-25T15:52:00.001-04:002015-10-25T15:52:06.771-04:00A fantastic drawing resource - FREE<a href="http://www.thedrawingsource.com/support-files/the-elements-of-realistic-drawing-ebook-from-the-drawing-source.pdf">http://www.thedrawingsource.com/support-files/the-elements-of-realistic-drawing-ebook-from-the-drawing-source.pdf</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-40048384224953668052015-10-03T16:01:00.002-04:002015-10-03T16:01:27.852-04:00 <iframe width="610" height="539" src="http://artsedge.kennedy-center.org/embed/resourcecarousel.aspx?itemid=1769ebce-d037-4d3d-b090-ec28d4c6b2d1" frameborder="0" allowfullscreen="true"></iframe>
Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-11288101032245413142015-10-02T11:16:00.001-04:002015-10-02T11:16:01.089-04:00Complementary Color Mixtures<a href="http://munsell.com/color-blog/mud-understanding-mixing-complementary-colors/">http://munsell.com/color-blog/mud-understanding-mixing-complementary-colors/</a><div><br></div>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-76313172557432356742015-10-01T09:14:00.001-04:002015-10-01T09:14:37.199-04:00Look, ‘translate’ and paint the beautiful Tuscan countryside with Jennifer Polillo<a href="http://www.watermill.uk.net/blog/?p=9113#sthash.ZcC7AYhw.cmfs">Look, ‘translate’ and paint the beautiful Tuscan countryside with Jennifer Polillo</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-70744279401639658722015-09-06T08:48:00.003-04:002015-09-06T08:48:23.260-04:00Drawing & Painting En Plein Air<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghdeIpZHCQ3tij7X7w3qF6yu2EjtfcKe5Wc114a9hbzqzcdwXoWp3EFm64Q2OC-XopPz8uKDOmhpRc0H6WClK9rp7CasYr8GzLCYGUukGXjoXlo9kQ9ChqycHiEDU01za614tJDW6lERKB/s1600/IMG_3282.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghdeIpZHCQ3tij7X7w3qF6yu2EjtfcKe5Wc114a9hbzqzcdwXoWp3EFm64Q2OC-XopPz8uKDOmhpRc0H6WClK9rp7CasYr8GzLCYGUukGXjoXlo9kQ9ChqycHiEDU01za614tJDW6lERKB/s320/IMG_3282.JPG" width="320" /></a></div>
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</div>
<div class="p1">
</div>
<div class="p1">
With Fall fast approaching, so is the Season for working en plein air. What exactly is En Plein Air you ask? En Plein Air is a drawing or painting created outdoors rather than in a studio, a term that comes from the French, literally meaning ‘in the open air.’</div>
<div class="p1">
Join local teaching artist, <a href="http://artedwithjenpolillo.blogspot.com/" target="_blank">Jen Polillo</a> for a weekly En Plein Air class in the MD/DE area beginning Saturday, Sept. 12th for a drop-in fee of just $20/class. Meetings will take place at locations throughout the DE/MD area every Saturday (weather permitting) from 1:30-3:30. Demonstrations as well as individualized instruction will be offered.</div>
<div class="p1">
For more information, including location details and suggested materials list, please send a quick email to: <a href="mailto:jenniferpolillo@hotmail.com"><span class="s1">jenniferpolillo@hotmail.com</span></a></div>
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<a href="mailto:jenniferpolillo@hotmail.com"><span class="s1"></span></a><div class="separator" style="clear: both; text-align: center;">
<a href="mailto:jenniferpolillo@hotmail.com"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBdwhg4jYjAo0qSH56ahnh7tAo1xHY66IR2y8QUS3G0N_HlS1_LVNX3US-cR6Z9txJu0Vg-PWKHgoGw7ZDilw8vWLiJu9nYqmefi4IpkPWd7cxO-xZoOzTJdgFzIVd4qcGEiRj6YFeAWZh/s1600/promophoto.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBdwhg4jYjAo0qSH56ahnh7tAo1xHY66IR2y8QUS3G0N_HlS1_LVNX3US-cR6Z9txJu0Vg-PWKHgoGw7ZDilw8vWLiJu9nYqmefi4IpkPWd7cxO-xZoOzTJdgFzIVd4qcGEiRj6YFeAWZh/s200/promophoto.png" width="200" /></a></a></div>
Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-29255472169802741912015-09-03T12:40:00.001-04:002015-09-03T12:40:34.490-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRg29y1q4Lb0EeHEnBtBpz3qtPUlAFyluWTlKPtLzAokLYsqgOJmMHu6AlARGY6mHIjda0PHYG4a8gEgg9dEfvKqBIPmTmLvR-yo0gRZtjVWrgmrnWoLNVtZFam1_yTJTUI3lADrZuuf4/s1600/DRAWMORE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRg29y1q4Lb0EeHEnBtBpz3qtPUlAFyluWTlKPtLzAokLYsqgOJmMHu6AlARGY6mHIjda0PHYG4a8gEgg9dEfvKqBIPmTmLvR-yo0gRZtjVWrgmrnWoLNVtZFam1_yTJTUI3lADrZuuf4/s320/DRAWMORE.jpg" width="320" /></a></div>
<br />Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-74560959402753741072015-08-11T11:26:00.002-04:002015-09-03T12:18:34.218-04:00PORTFOLIO INFO"What should be in an art school application portfolio? How do you present a portfolio? What gives you the best chance of being accepted by the art school of your dreams? This article explains how to make an art portfolio for college or university and is packed with tips from leading art and design school admissions staff from around the world. It is written for those who are in the process of creating an application portfolio for a foundation course, certificate, associate or undergraduate degree and contains advice for specific art-related areas, such as Architecture, Fine Art, Graphic Design, Illustration, Interior Design, Animation, Game Design, Film and other creative, visual art-based courses. It is presented along with art and design portfolio examples from students who have recently gained acceptance to a range of art schools from around the world, creating a 9,000 word document that helps guide you through the application process." studentartguide.com<br />
<br />
<a href="http://www.studentartguide.com/articles/how-to-make-an-art-portfolio-for-college-or-university"><strong><span style="font-size: large;">click here</span></strong></a> for TONS of information and resources to help you compile your work into a professional portfolio. Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-50896342328585544462015-08-11T10:43:00.002-04:002015-08-11T10:43:43.217-04:00Student Art Guidehttp://www.studentartguide.com/articles/one-point-perspective-drawingAnonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-85533280955747917522015-05-02T17:02:00.001-04:002015-05-02T17:02:26.321-04:00Deliberate Practice – The Secret of Getting Good Fast | Proko<a href="http://www.proko.com/deliberate-practice-the-secret-of-getting-good-fast/">Deliberate Practice – The Secret of Getting Good Fast | Proko</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-34917634245333995092015-05-02T17:01:00.001-04:002015-05-02T17:01:49.165-04:00Anatomy of the Pelvis | Proko<a href="http://www.proko.com/anatomy-of-the-pelvis-for-artists/">Anatomy of the Pelvis | Proko</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-11539568655487291272015-05-02T16:59:00.001-04:002015-05-02T16:59:12.332-04:00How to Draw the Pelvis From Any Angle | Proko<a href="http://www.proko.com/how-to-draw-the-pelvis-from-any-angle/">How to Draw the Pelvis From Any Angle | Proko</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-51300113063736852542015-05-02T16:38:00.001-04:002015-05-02T16:44:31.804-04:00Anatomy of the Rib Cage | Proko<a href="http://www.proko.com/anatomy-of-the-rib-cage-for-artists/">Anatomy of the Rib Cage | Proko</a><br />
<br />
For those of you learning to draw the figure,<br />
<br />
check out this informative video!<br />
<br />
<br /><iframe width="640" height="360" src="//www.youtube.com/embed/GA8oC9PFQo?rel=0" frameborder="0" allowfullscreen></iframe><p>video credit: <a href="http://www.proko.com">www.proko.com</a></p>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-42057572598165171642015-03-12T10:11:00.001-04:002015-03-12T10:11:06.111-04:00Drawing Drapery: Foldshttp://www.mightyartdemos.com/mightyartdemos-bradley.htmlAnonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-8258434448213303462015-02-19T12:49:00.001-05:002015-03-12T10:12:33.875-04:00Artist Spotlight: Photography as Social ChangeThe artwork of JR<div><br><div>To hear JR speak about his work go to: <a href="http://on.ted.com/JRTEDTalk">http://on.ted.com/JRTEDTalk</a></div><div><br></div><div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmO90Q37Wc-xHHJ050h7vvci0qv6Ur5HOznD0PW3doMfqR3dBE1HWHRqC7jFnlutfsntPPFqNHNZaBOMMDVVqR-dlSDJxSfmXrifxT9of8BwlDi4OZqLmLGip0Oa31NwdpYpXaJ4uLRlEE/s640/blogger-image-2093174110.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmO90Q37Wc-xHHJ050h7vvci0qv6Ur5HOznD0PW3doMfqR3dBE1HWHRqC7jFnlutfsntPPFqNHNZaBOMMDVVqR-dlSDJxSfmXrifxT9of8BwlDi4OZqLmLGip0Oa31NwdpYpXaJ4uLRlEE/s640/blogger-image-2093174110.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiIZYX-U4mUFtLWQPQwpD1IRHi3Q0gDoSsOhSdcFaViHVDlhRdC5mNVeyFYu4YzSJpJPxLtVXhZ3LsBILgFXowVOfCZNtJSzzJjVhtnl8NPOK6VGumUeIQ1HwcDv1YYcr-rlaHea1vpHRL/s640/blogger-image--1815711362.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiIZYX-U4mUFtLWQPQwpD1IRHi3Q0gDoSsOhSdcFaViHVDlhRdC5mNVeyFYu4YzSJpJPxLtVXhZ3LsBILgFXowVOfCZNtJSzzJjVhtnl8NPOK6VGumUeIQ1HwcDv1YYcr-rlaHea1vpHRL/s640/blogger-image--1815711362.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPoWpapbiGolsWMO3ktklbpfNbgqgnVc0dyP1Ls-VPwgIU5yi9BF179zCRFV9L0INYWDxdlNYeVBnn01cmRVDm4NKP3rDxIqDwv4cwdOcYpmZjfDrE-3TqA6ehLyMR37sMU5K5QBE5-7Yz/s640/blogger-image-153953230.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPoWpapbiGolsWMO3ktklbpfNbgqgnVc0dyP1Ls-VPwgIU5yi9BF179zCRFV9L0INYWDxdlNYeVBnn01cmRVDm4NKP3rDxIqDwv4cwdOcYpmZjfDrE-3TqA6ehLyMR37sMU5K5QBE5-7Yz/s640/blogger-image-153953230.jpg"></a></div><br></div><br></div><br></div><br></div><div><br></div></div>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com1tag:blogger.com,1999:blog-2286250914118195433.post-37744217739164669332015-02-15T12:34:00.000-05:002015-03-12T10:11:47.468-04:00Perspective<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8i13G-hM3QsvyTzYAH0jZCJ9Y_yip8KZnqvbUkQUhwqCNhyphenhyphenBHybbuAmqXXlMZaQg-LTf4FmlRO5RHj7r0qRE_z8eGsYAP-yLG1mK3-TsJzaB5I_on1m3dlBChojKlSG4ekABtRb0HmdhK/s1600/beofpp.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8i13G-hM3QsvyTzYAH0jZCJ9Y_yip8KZnqvbUkQUhwqCNhyphenhyphenBHybbuAmqXXlMZaQg-LTf4FmlRO5RHj7r0qRE_z8eGsYAP-yLG1mK3-TsJzaB5I_on1m3dlBChojKlSG4ekABtRb0HmdhK/s1600/beofpp.jpg" height="320" width="320"></a></div>
<a href="http://www.instantshift.com/2010/08/24/88-brilliant-examples-of-forced-perspective-photography/">Forced Perspective Photography</a><br>
<strong>Forced perspective</strong> is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It is used primarily in photography, filmmaking and architecture. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera.<br>
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<div class="vk_ans" style="margin-bottom: 0px;">
<span data-dobid="hdw">per·spec·tive</span></div>
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<div class="lr_dct_ent_ph">
<span class="lr_dct_ph">pərˈspektiv/</span><span class="lr_dct_spkr lr_dct_spkr_off" data-log-string="pronunciation-icon-click" jsaction="dob.p" style="display: inline-block;" title="Listen"><input height="14" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAABwAAAAcCAQAAADYBBcfAAABN0lEQVR4AZ3UT4vNYRwF8M+dieS3uNtb7r1lKZPNTNlMWY13gDeBrih7L2A2yka2ItlZYWGrjBJF+VdYjEJTFsI1x9qTX/Ptfp716dmc71m2tzfGPvmibAaI+OOmiZLTdgERETtO2dMJPwVwzHVzEbsu64cVOyIAWPNCRJzVa+yjNEGGHoj4bd1/DT2XNgg6WyJeO6Blv0fSE2Tqu4iZxsBtaYPuOQTgkogPlgGATWmDiG1HAZ1vIjZI/wNEvNMBronYXFJz2HnAQ3C8+mM8BUxEbA9EvwEI+OEg2OcX5ksWVA++AozA13rwDmANvK0G37sK2ACPawX4bKUpwMlK5e4aAbjYVG6xktfP6klzVqVD7twXMbdenw5WPRMR5+pjtepG/1jV5vGMkgv/DPItU3XgpSuOaPwFsUTQA47vSZQAAAAASUVORK5CYII=" type="image" width="14"><audio data-dobid="aud" preload="auto" src="https://ssl.gstatic.com/dictionary/static/sounds/de/0/perspective.mp3"></audio></span></div>
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<div class="lr_dct_sf_h">
<i>noun</i></div>
<div class="xpdxpnd vk_gy" data-mh="-1">
noun: <b>perspective</b></div>
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<strong>1</strong>. </div>
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<div data-dobid="dfn" style="display: inline;">
the art of drawing solid objects on a two-dimensional surface so as to give the right impression of their height, width, depth, and position in relation to each other when viewed from a particular point.</div>
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"a perspective drawing"</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXkaDAyDDFsf9LLYXfvm2Sgp7phF4iNcvoo73dngUk3aZMR9xWgkxTCD4PtbljpFXga5LHEatueyjgdMTuCth6Br37GsiZfx-cEfoUTWJNay7UtJifqNDvLDJI79ScnWaxjpSZbB-pIvU/s1600/elements2_large.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXkaDAyDDFsf9LLYXfvm2Sgp7phF4iNcvoo73dngUk3aZMR9xWgkxTCD4PtbljpFXga5LHEatueyjgdMTuCth6Br37GsiZfx-cEfoUTWJNay7UtJifqNDvLDJI79ScnWaxjpSZbB-pIvU/s1600/elements2_large.jpg" height="165" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="s">
Representation of Alberti's window (perspective drawn using a front picture plane#. Engraving #modified) from G. B. Vignola, La due regole della prospettiva practica, 1611.</div>
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<span style="font-size: x-small;"></span><div class="ea13b" style="color: #316308;">
<span style="font-size: x-small;"><strong><span style="font-size: large;">1, 2, & 3 Point Linear Perspective</span></strong></span></div>
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You can imply perspective by the relative size of objects, layering foreground, mid-ground, and background elements, changing focus by sharpening or softening details, and lightening or darkening elements as the atmosphere changes the quality of “seeing” things in the distance.</div>
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If you can combine linear perspective with natural perspective, you can make a convincing drawing that easily allows the observer to “suspend belief” and be drawn into your creation.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOcMOTajPvFGcglEFyMiAVYQ04gn_xIk4jaxp0URYZOc5u3h4UotJZpHT7fOB-O-maX3z_NxTtMF4UbFVTGFMI5QlIHs4jj-Z85KSuSuRu3kzrI262hSYP606NIAno8ECkluDN0rih5b9l/s1600/perspective-viewpoint.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOcMOTajPvFGcglEFyMiAVYQ04gn_xIk4jaxp0URYZOc5u3h4UotJZpHT7fOB-O-maX3z_NxTtMF4UbFVTGFMI5QlIHs4jj-Z85KSuSuRu3kzrI262hSYP606NIAno8ECkluDN0rih5b9l/s1600/perspective-viewpoint.jpg" height="211" width="320"></a></div>
What's your Viewpoint?<br>
<div class="body10">
This is the basic positioning of your eyes, just like pointing a camera. What's the best Line of sight, the straight line between you, the Observer, and the Object or focal point of the scene before you?</div>
<div class="body10">
Study and consider what you're looking at. Is this the best viewpoint to find the best composition? Where are you physically in relation to the scene you are considering painting? Are you elevated, looking downward at your subject? Are you looking up? Standing, sitting, or kneeling? Flying?</div>
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Once you know where you are find the horizon.</div>
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Where's the Horizon?</div>
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See where the sky meets the land? That's the horizon line. It's on the horizon. If objects are blocking your view of the horizon line, turn around until you can determine where it is in relation to your line of sight and extend that knowledge into your chosen view.</div>
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The Vanishing Point</div>
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The vanishing point is a point in the far distance at which your eyes can no longer see. Since the farthest we can see here is to the earth's horizon that's where most vanishing points live. Perspective lines start at the vanishing point.</div>
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(1) One Point Perspective <span class="ea10b">(Single Point - One Vanishing Point)</span></div>
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The front plane of the object is directly in front of you, verticals parallel, and all lines of perspective meet at a single vanishing point on the horizon. Objects you draw in one point perspective are drawn face on.</div>
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<strong>Practice:</strong> 1) Draw a horizon line and center a vanishing point. 2) Draw a square or rectangle off to the side of the vanishing point, overlapping the horizon line. 3) Lightly draw (or visualize) orthogonal "visual rays" from the vanishing point through the edges of your object. 4) Then draw the vertical lines of the back of the object using the rays as a measure.</div>
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(2) Two Point Perspective<span class="ea10b">(Two Vanishing Points)</span></div>
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When an object or viewpoint is rotated and two sides of an object are angled away from your view, each side of the object has it's own unique lines of perspective. You now must use two vanishing points, one for each plane of the surface in view with the vertical lines parallel.</div>
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<strong>Practice:</strong> 1) Draw a horizon line and place two vanishing points on the far right and left sides. 2) Draw a vertical line indicating the closest edge of the object facing you. 3) Lightly draw (or visualize) orthogonal "visual rays" from each vanishing point to the line of the front edge of your object. 4) Then draw the vertical lines of the left and right edges of the object using the rays as a measure.</div>
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(3) Three Point Perspective<span class="ea10b">(Bird’s Eye, Worm’s Eye - Three Vanishing Points)</span></div>
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If your point of observation is higher or lower a third vanishing point comes into use. Think of looking up at tall skyscrapers and seeing three vertical sides angle to a third vanishing point, far distant, as they reach toward the sky. From the Worm’s Eye view (looking up) the upper vanishing point is called the Zenith. From the Bird’s Eye or Helicopter view (looking down) the lower vanishing point is called the Nadir.</div>
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<strong>Practice:</strong> 1) Draw a horizon line and place two vanishing points on the far right and left sides. 2) Draw a vertical line bisecting the horizon line and place a third vanishing point above (or below) the horizon line. 3) Lightly draw (or visualize) orthogonal "visual rays" from the top vanishing point past the horizon line. 4) Then draw orthogonal lines from the left and right vanishing points and bisect the orthogonal lines from the top vanishing points using the rays as a measure..</div>
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<span style="font-size: large;">Implied and Atmospheric Perspective</span></div>
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When trying to draw natural scenes like landscapes, seascapes, mountain views, or woodland settings, you are hard pressed to find a straight line with which to show 3-dimensional depth. Fortunately there are other techniques that can be employed to trick the eye of the viewer into perceiving the depth of the scene. Sometimes these are referred to as zero (0) point perspectives.</div>
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You can imply perspective by the relative size of objects, layering foreground, mid-ground, and background elements, changing focus by sharpening or softening details, and lightening or darkening elements as the atmosphere changes the quality of “seeing” things in the distance.</div>
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If you can combine linear perspective with natural perspective, you can make a convincing drawing that easily allows the observer to “suspend belief” and be drawn into your creation.</div>
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<img alt="perspective-layers-values.jpg, 28 kB" border="0" src="http://www.watercolorpainting.com/perspective/perspective-layers-values.jpg" height="257" title="perspective-layers-values" width="389"> </div>
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Layers and Values</div>
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By layering visual elements one on top of another, perspective can be implied by the front to back ordering of the elements. Two dimensional art is traditionally viewed according to the conventions of stacking or layering visual elements from the bottom up as foreground, mid-ground, and background. </div>
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As a matter of course, observers assume the bottom of a drawing or painting is closest to their viewpoint and the top is the farthest from their viewpoint.</div>
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Just as a diorama uses layer-upon-layer of scenes from front-to-back to achieve depth, you can try to utilize the same convention in your drawings to achieve the illusion of depth.</div>
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Relative Size of Elements</div>
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Things look big when they are closer to the viewer, small when they are far away. Have a Sesame Street moment and consider this basic fact. If you place an object in your drawing it must relate in size to other elements in the drawing. In linear perspective, when elements get closer to the horizon line, their apparent size is smaller and less detailed than the same elements seen close up.</div>
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If you are drawing repeating elements in a landscape like trees, the tree trunks in front of you take up more space in your field of view, and you can make out individual leaves and branches. As they recede away from you they take up less space in the drawing you can’t see the texture or details of branches and leaves. You must now simplify and rely on the shape or contour that tells you it is still a tree. At the farthest you can see, the trees start to merge with the shape of the horizon.</div>
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<a href="http://nationalgallery.org.uk/" target="new"><span style="color: black;"><img alt="Aerial Perspective: Leonaro Da Vinci - Virgin of the Rocks, 1491-1508 (detail photo © The National Gallery, London)" border="1" src="http://www.watercolorpainting.com/Drawing/Perspective/Aerial_Perspective_Virgin-of-the-Rocks_Leonardo250.jpg" height="243" title="Aerial Perspective: Leonaro Da Vinci - Virgin of the Rocks, 1491-1508 (detail photo © The National Gallery, London)" width="250"><br>Leonardo da Vinci's Aerial Perspective</span><span class="ea7"><span style="color: black;">Leonardo, The Virgin of the Rocks (detail), 1491-1508<br>Photo © The National Gallery, London</span></span></a></div>
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Aerial Perspective (Atmospheric/Environmental)</div>
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Leonardo da Vinci was the first to record his thoughts and theories concerning <strong>Aerial (Atmospheric) Perspective</strong>, or the <em>Perspective of Disappearance</em>. Artists of his time were concerned with realism in their art. Linear perspective was a big step, but with careful observation it became apparent that other natural phenomenon were at work altering the look of distant objects.</div>
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<img alt="Aerial Perspective - Atmospheric Perspective" border="1" src="http://www.watercolorpainting.com/perspective/perspective-atmospheric.jpg" height="257" title="Aerial Perspective - Atmospheric Perspective" width="389"> </div>
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Moisture and dust in the atmosphere are not that apparent when viewing things close by. As you look at objects further away from you, you are also looking through a thicker mass of air. The moisture and dust building up over distance scatter the light and lighten the appearance of objects, lessening the contrasts of light and shadow and blurring details. Environmental factors like fog, steam, smoke, water mist, or pollution intensify local Aerial Perspective effects.</div>
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"Perspective is the rein and rudder of painting"<br>
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—Leonardo da Vinci </div>
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When working in color, the distant shapes also take on a bluish cast as their true color intensity is lessened visually. This bluing effect is the more local version of what makes the sky blue. Air molecules (like oxygen and nitrogen) are very small and selectively scatter the shorter (smaller) waves of the visible light spectrum, violet and blue. </div>
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When you look up during a clear sunny day, the cumulative effect of all this selective light bouncing around gives us our blue sky. Over shorter distances this scattering of short wave light tints distant vistas as you look closer to the horizon.</div>
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Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com1tag:blogger.com,1999:blog-2286250914118195433.post-91532035899152128612015-02-15T10:06:00.001-05:002015-03-12T10:11:26.366-04:00Drawing with Charles Bargue<div class="separator" style="clear: both;"><br></div>The <em><strong>Charles Bargue Drawing Course</strong></em> is the collected set of knowledge from centuries of academic art education and is beeing used in classical art academies throughout the world. It was developed and widely used in the mid 19th century as a foundational exercise for fine art training until modernism began to neglect skill and technique. Since the comeback of traditional values art schools and academies have been formed which follow this proven approach of the great masters as an essential process in understanding the principles of shape, proportion, value and form.<br>
<blockquote>
"Charles Bargue is mostly remembered for his Cours de dessin, one of the most influential classical drawing courses conceived in collaboration with Jean-Léon Gérôme. The course [...] was to guide students from plaster casts to the study of great master drawings and finally to drawing from the living model.<br>
Among the artists whose work is based on the study of Bargue’s platework is Vincent van Gogh, who copied the complete set in 1880/1881, and (at least a part of it) again in 1890."<br>
Source: http://en.wikipedia.org/wiki/Charles_Bargue</blockquote>
In a classical atelier you start by copying two dimensional references – the Bargue plates – as perfect as possible. This teaches you to see distances, lengths and angles as well as shading. First you would make few general guidelines – the rest is built up through observation and correction.<br>
<br>
<a href="http://vk.com/doc174101046_174324478?hash=63520daf6ba1f0959b&dl=76664a0100b40bd8e5">Charles Bargue Course PDF</a><br>
<br>
<h2>
Needed Materials:</h2>
<ul>
<li>Wood panel or something similar<br> (should be large enough to place two sheets of paper – the reference and the drawing paper – besides each other).</li>
<li>Sheet of paper – regular printer paper should be sufficient for this exercise.</li>
<li>the printed reference (available <a href="http://www.bargue-drawing.com/" target="_blank" title="Charles Bargue Drawing Course">here</a> as a digital download package)</li>
<li>artists tape</li>
<li>pencils in different grades (2H, HB & 2B are sufficient)</li>
<li>kneaded eraser</li>
<li>measuring device such as a knitting needle or a thread</li>
<li>ruler (only for the initial preparatory steps)</li>
</ul>
<h2>
Execution:</h2>
<ul>
<li>As a righty you need to stick the printed reference on the left hand side of your panel with artists tape. Your drawing paper should sit on the right hand side. As a lefty you do it vice versa.<br></li>
<li>Now make a straight vertical line through the middle of your reference. If your reference is a symmetrical object the middle is easy to determine - if you have a non-symmetrical reference just estimate a middle. Also draw a straight vertical line through your drawing paper. DON´T PRESS TOO HARD WITH THE PENCIL SINCE YOU NEED TO ERASE THESE GUIDELINES LATER!<br></li>
<li>Make two horizontal lines across the reference and your drawing paper - one on the topmost point of your reference and one on the bottommost point.<br><br> It should look like this now:</li>
</ul>
<ul><div align="center">
<img alt="bargue-1" height="276" src="http://www.cast-drawing.com/Bilder/bargue-1.jpg" width="424"></div>
<li><div align="left">
Now hold your measurung device in front of your reference, squint one eye and measure from the middle line to the leftmost point (see the following picture; in this example a thread was used). Keep this distance and hold the measuring device on the middle line of your drawing paper. Slightly draw a line where you determined the width. Double check by doing this process again. If you did not transfer the distance correctly, just erase your first estimation and make a better one.</div>
<div align="center">
<br><br><img alt="messen-1" height="338" src="http://www.cast-drawing.com/Bilder/bargue-procedure/messen-1.jpg" width="424"></div>
</li>
<li>Do these steps with the most prominent points of the reference. Always double check. This process seems to be tedious but it is worth it. It is easier to change things in the beginning stages of the drawing than towards the end so double checking is crucial.<br></li>
<li>After you have determined a couple of points, connect them with straight lines to have a simplified image of your reference. You can now dispense your measuring device since it is the learning-to-see what you are after.<br></li>
<li>Now the fun part starts: make your drawing match as perfect as possible to the reference just by using your eye! Lines that you are not sure about should be made lightly. Work as hard as you can. It is not unusual if you need a couple of hours on this drawing. The more you practise the faster you get.<br></li>
</ul>
<h2>
See the steps of this process:</h2>
<img alt="" height="167" src="http://www.cast-drawing.com/Bilder/5steps_bargue.jpg" width="660"><br>
<br>
<a href="http://www.cast-drawing.com/bargue.html">http://www.cast-drawing.com/bargue.html</a><div><br></div><div><div class="separator" style="clear: both;">Print & try these:</div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3DBobqEdv66d6DAXayH4YxPoiQLQm6zJ5C7b_XRMLpw_aUYi4sWJYbiXQlJQEpbozh_Y5VNnVbiaI9zZdrCWUwjA1u01nOj2Rm5lP99aYXP473qlQLydFn_x_T2z1cDWHGQREQ5bp_uPD/s640/blogger-image-1600170309.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3DBobqEdv66d6DAXayH4YxPoiQLQm6zJ5C7b_XRMLpw_aUYi4sWJYbiXQlJQEpbozh_Y5VNnVbiaI9zZdrCWUwjA1u01nOj2Rm5lP99aYXP473qlQLydFn_x_T2z1cDWHGQREQ5bp_uPD/s640/blogger-image-1600170309.jpg"></a></div><br></div><div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsK5Ia4KPKho2VCEfp22thaerqYwabHZpbHwd4hfh4de4CrnaqvrPYtTW7ZvYM66M05TorETmFkcvxEnvyMSXsrC7s8-3puKLda1KZPth1rgtG9lYQeAN0N5BYFPitij6tL4aXl7kd5mpb/s640/blogger-image-2010264741.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsK5Ia4KPKho2VCEfp22thaerqYwabHZpbHwd4hfh4de4CrnaqvrPYtTW7ZvYM66M05TorETmFkcvxEnvyMSXsrC7s8-3puKLda1KZPth1rgtG9lYQeAN0N5BYFPitij6tL4aXl7kd5mpb/s640/blogger-image-2010264741.jpg"></a></div><br></div>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-44960071008392301182015-01-31T10:09:00.001-05:002015-03-12T10:12:58.138-04:00Figure Model Poses Drawing Reference Images (NON-NUDE SERIES DLDS #5)
in...<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/F93AE_4AebU?list=PL7EWYwaF6E-FZ8JiBlz2tF1DQUCw-GCmn" width="480"></iframe><br>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-64083318208126735452015-01-24T20:01:00.001-05:002015-01-24T20:01:47.698-05:00The Painter’s Primer: A Survival Kit BY IRWIN GREENBERG | NOVEMBER 21,
2013<p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">"Like a lot of realist painters, I started teaching as a way to stabilize my income. I was amazed to discover that it would be one of the most meaningful experiences of my life. Somehow, everything I have learned in my life found a place in the studio classroom. Teaching also forced me to objectify my thoughts and make them comprehensible to my students. But the greatest reward, by far, was getting to know that special kind of person, the art student. His hunger to learn and commitment to what Robert Henri called the <a title="The Art Spirit" href="http://www.amazon.com/The-Art-Spirit-Robert-Henri/dp/0465002633" target="_blank" style="margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; vertical-align: baseline; text-decoration: none;">“art spirit”</a> has been a never-ending inspiration to me. I am sure I got the larger share in the exchange.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">1. Paint every day.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">2. Paint until you feel physical strain. Take a break and then paint some more.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">3. Suggest.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">4. When at an impasse, look at the work of masters.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">5. Buy the best materials you can afford.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">6. Let your enthusiasm show.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">7. Find a way to support yourself.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">8. Be your own toughest critic.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">9. Develop a sense of humor about yourself.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">10. Develop the habit of work. Start early every day. When you take a break, don’t eat. Instead, drink a glass of water.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">11. Don’t settle for yourself at a mediocre level.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">12. Don’t allow yourself to be crushed by failure. Rembrandt had failures. Success grows from failure.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">13. Be a brother (or sister) to all struggling artists.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">14. Keep it simple.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">15. Know your art equipment and take care of it.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">16. Have a set of materials ready wherever you go.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">17. Always be on time for work, class, and appointments.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">18. Meet deadlines. Be better than your word.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">19. Find a mate who is really a mate.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">20. Don’t be envious of anyone who is more talented than you. Be the best you can be.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">21. Prizes are nice, but the real competition is with yesterday’s performance.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">22. Give yourself room to fail and fight like hell to achieve.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">23. Go to sleep thinking about what you’re going to do first thing tomorrow.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">24. Analyze the work of great painters. Study how they emphasize and subordinate.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">25. Find out the fewest material things you need to live.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">26. Remember: Michelangelo was once a helpless baby. Great works are the result of heroic struggle.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">27. There are no worthwhile tricks in art; find the answer.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">28. Throw yourself into each painting heart and soul.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">29. Commit yourself to a life in art.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">30. No struggle, no progress.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">31. Do rather than don’t.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">32. Don’t say “I haven’t the time.” You have as much time everyday as the great masters.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">33. Read. Be conversant with the great ideas.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">34. No matter what you do for a living, nurture your art.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">35. Ask. Be hungry to learn.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">36. You are always the student in a one-person art school. You are also the teacher of that class.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">37. Find the artists who are on your wavelength and constantly increase that list.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">38. Take pride in your work.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">39. Take pride in yourself.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">40. No one is a better authority on your feelings than you are.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">41. When painting, always keep in mind what your picture is about.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">42. Be organized.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">43. When you’re in trouble, study the lives of those who’ve done great things.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">44. “Poor me” is no help at all.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">45. Look for what you can learn from the great painters, not what’s wrong with them.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">46. Look. Really look.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">47. Overcome errors in observing by exaggerating the opposite.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">48. Critics are painters who flunked out.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">49. Stay away from put-down artists.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">50. If you’re at a loss for what to do next, do a self-portrait.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">51. Never say “I can’t.” It closes the door to potential development.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">52. Be ingenious. Howard Pyle got his start in illustration by illustrating his own stories.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">53. All doors open to a hard push.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">54. If art is hard, it’s because you’re struggling to go beyond what you know you can do.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">55. Draw everywhere and all the time. An artist is a sketchbook with a person attached.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">56. There is art in any endeavor done well.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">57. If you’ve been able to put a personal response into your work, others will feel it and they will be your audience.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">58. Money is O.K., but it isn’t what life is about.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">59. Spend less than you earn.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">60. Be modest; be self-critical, but aim for the highest.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">61. Don’t hoard your knowledge, share it.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">62. Try things against your grain to find out just what your grain really is.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">63. Inspiration doesn’t come when you are idle. It comes when you have steeped yourself in work.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">64. Habit is more powerful than will. If you get in the habit of painting every day, nothing will keep you from painting.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">65. There are three ways to learn art: Study life, people, and nature. Study the great painters. Paint.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">66. Remember, Rembrandt wasn’t perfect. He had to fight mediocrity.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">67. Don’t call yourself an artist. Let others name you that. “Artist” is a title of great weight.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">68. Be humble; learn from everybody.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">69. Paintings that you work hardest at are the ones you learn the most from, and are often your favorites.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">70. Read values relatively. Find the lightest light and compare all other light values to it. Do the same with the darks.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">71. Grit and guts are the magic ingredients to your success.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">72. Let your picture welcome the viewer.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">73. Add new painters to your list of favorites all the time.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">74. Study artists who are dealing with the same problems that you’re trying to solve.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">75. Have a positive mindset when showing your work to galleries.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">76. Don’t look for gimmicks to give your work style. You might be stuck with them for life. Or, worse yet, you might have to change your “style” every few years.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">77. If what you have to say is from your deepest feelings, you’ll find an audience that responds.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">78. Try to end a day’s work on a picture knowing how to proceed the next day.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">79. Don’t envy others’ success. Be generous-spirited and congratulate whole-heartedly.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">80. Your own standards have to be higher and more scrupulous than those of critics.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">81. Howard Pyle said, “Throw your heart into a picture and jump in after it.”</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">82. Vermeer found a life’s work in the corner of a room.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">83. Rembrandt was always clear about what is most important in a picture.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">84. If, after study, the work of an artist remains obscure, the fault may not be yours.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">85. Critics don’t matter. Who cares about Michelangelo’s critics?</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">86. Structure your day so you have time for painting, reading, exercising and resting.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">87. Aim high, beyond your capacity.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">88. Try not to finish too fast.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">89. Take the theory of the “last inch” that holds as you approach the end of a painting, you must gather all your resources for the finish.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">90. Build your painting solidly, working from big planes to small.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">91. See the planes of light as shapes, the planes of shadows as shapes. Squint your eyes and find the big, fluent shapes.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">92. Notice how, in a portrait, Rembrandt reduces the modeling of clothes to the essentials, emphasizing the head and the hands.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">93. For all his artistic skill, what’s most important about Rembrandt is his deep compassion.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">94. To emphasize something means that the other parts of a picture must be muted.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">95. When painting outdoors, sit on your hands and look before starting.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">96. When composing a picture, do many thumbnails, rejecting the obvious ones.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">97. Study how Rembrandt creates flow of tone.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">98. If you teach, teach the individual. Find out when he or she is having trouble and help at that point.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">99. Painting is a practical art, using real materials—paints, brushes, canvas, and paper. Part of the practicality of it is earning a living in art.</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">100. Finally, don’t be an art snob. Most painters I know teach, do illustrations, or work in an art-related field. Survival is the game."</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; vertical-align: baseline; -webkit-font-smoothing: antialiased;"><span style="background-color: rgba(255, 255, 255, 0); -webkit-text-size-adjust: auto;">http://www.asllinea.org/the-painters-primer-a-survival-kit/</span></p>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-3289054531526259632014-11-26T11:44:00.001-05:002014-11-26T11:51:02.335-05:00An Art inspired Thanksgiving<div class="separator" style="clear: both;"><div class="separator" style="clear: both;">Here's Thanksgiving plated-up by artist, Hannah Rothstein in the style of your favorite artists throughout history.</div><div class="separator" style="clear: both;">Have a safe and happy holiday!</div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGRzsrdBI46ZZ3wDW6V3wIub_-olnuFlAZIDnEjQsSqansoCrM-0E1s96B6H9wAYZ904j2Vx3B7s99u3Hh91U9O45ARTRJajccAPaJ4xlUUlt5wogoR_bY82SBLvMMq5bc7AQfBB8PLena/s640/blogger-image--1253139687.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGRzsrdBI46ZZ3wDW6V3wIub_-olnuFlAZIDnEjQsSqansoCrM-0E1s96B6H9wAYZ904j2Vx3B7s99u3Hh91U9O45ARTRJajccAPaJ4xlUUlt5wogoR_bY82SBLvMMq5bc7AQfBB8PLena/s640/blogger-image--1253139687.jpg"></a></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDhxeEwnCI2I3EoQcnzEJNmMwnhJIgM06Afti2FHjKIEey_POewEZB5SK6KfkpvrZt5Pl5jD2M3Xq3tWotHfNGEQ5njMTwvbWNmJNLWjsRaht2bITE5bmOV2D21eSXbrrtH5zu759kwcut/s640/blogger-image--568037469.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDhxeEwnCI2I3EoQcnzEJNmMwnhJIgM06Afti2FHjKIEey_POewEZB5SK6KfkpvrZt5Pl5jD2M3Xq3tWotHfNGEQ5njMTwvbWNmJNLWjsRaht2bITE5bmOV2D21eSXbrrtH5zu759kwcut/s640/blogger-image--568037469.jpg"></a></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg20U_KCsRPpc8_kwNg3SdXg0bCfP_g5HQoZpFKO5__X4IOmac8G5FMdFO3bobmIeJFHomMT9lyOYPE8wcUYfpp-bKVaAEVxReGcQYCuZpdqpfj91Pma29f_YUS2OcOW3uhm1I5j9HfrtJa/s640/blogger-image--1482100952.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg20U_KCsRPpc8_kwNg3SdXg0bCfP_g5HQoZpFKO5__X4IOmac8G5FMdFO3bobmIeJFHomMT9lyOYPE8wcUYfpp-bKVaAEVxReGcQYCuZpdqpfj91Pma29f_YUS2OcOW3uhm1I5j9HfrtJa/s640/blogger-image--1482100952.jpg"></a></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5YxrtTpWXY1PZGmlZcfE6rxhnDECH8bIw9PwdAxIFfZ1RIwRkUTtIFNXcniTjCOf6R0ECA8GgX9ieOTH-ZGtadoFrz1g8YzwZDr16zMVUIqEmnz1XBzP2cDfg9Bxlnmhw4OEplATaotQB/s640/blogger-image--2121891393.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5YxrtTpWXY1PZGmlZcfE6rxhnDECH8bIw9PwdAxIFfZ1RIwRkUTtIFNXcniTjCOf6R0ECA8GgX9ieOTH-ZGtadoFrz1g8YzwZDr16zMVUIqEmnz1XBzP2cDfg9Bxlnmhw4OEplATaotQB/s640/blogger-image--2121891393.jpg"></a></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif8ghmSnawPnT_vG504V1DlXOBU2Qs68UG_A0WcDKMazosVSqW0FrEptcW01v34CZGvg9gj_2aksfz6uTlw470-Ybt8lIvvILbClzaf_OK2NBOJn9IfSLNmVRcJ1l8iJb3miIZMbndXZVU/s640/blogger-image-1546216008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif8ghmSnawPnT_vG504V1DlXOBU2Qs68UG_A0WcDKMazosVSqW0FrEptcW01v34CZGvg9gj_2aksfz6uTlw470-Ybt8lIvvILbClzaf_OK2NBOJn9IfSLNmVRcJ1l8iJb3miIZMbndXZVU/s640/blogger-image-1546216008.jpg"></a></div><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQNf_HUZEaqDsW3qEUkP9unekD0jZjd3XkDbiQdAUyoiCvioBSvUn8xOIPAGErZUQsHlDx_h7ur1SP_nFykYBy4fSwXJL5jdVm3njQL1bStmqLoAldd9ceym77s_lssHcbJC2vdxABCDN-/s640/blogger-image--1443598673.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQNf_HUZEaqDsW3qEUkP9unekD0jZjd3XkDbiQdAUyoiCvioBSvUn8xOIPAGErZUQsHlDx_h7ur1SP_nFykYBy4fSwXJL5jdVm3njQL1bStmqLoAldd9ceym77s_lssHcbJC2vdxABCDN-/s640/blogger-image--1443598673.jpg"></a></div>See more here:</div><div class="separator" style="clear: both;"><a href="http://www.hrothstein.com/thanksgiving-special/" style="font-family: 'Helvetica Neue Light', HelveticaNeue-Light, helvetica, arial, sans-serif;">http://www.hrothstein.com/thanksgiving-special/</a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div><br></div><br></div><br></div>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-51949001486928038772014-11-14T13:16:00.001-05:002014-11-14T13:16:09.069-05:00Do you Doodle?<a href="http://youtu.be/KlQjpThXov4">http://youtu.be/KlQjpThXov4</a><br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/KlQjpThXov4" width="560"></iframe><br />Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-1165770737637262282014-11-14T13:14:00.001-05:002014-11-14T13:14:36.933-05:00On Overcoming AdversityArtist, Chuck Close writes letter to his younger self: <a href="http://youtu.be/milXH-433vs">http://youtu.be/milXH-433vs</a>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-51433598749788460362014-11-14T13:08:00.001-05:002014-11-14T13:08:35.120-05:00Optical Illusions<a href="http://youtu.be/uQEsFL2bNoM">http://youtu.be/uQEsFL2bNoM</a>
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Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0tag:blogger.com,1999:blog-2286250914118195433.post-37255789125153695062014-11-14T13:01:00.000-05:002014-11-14T13:01:18.713-05:00Drawing TutorialsDrawing Tutorials<br />
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<iframe width="560" height="315" src="//www.youtube.com/embed/videoseries?list=PLhBKkQX9XSgeVEGuevcUrnxWYhyB31rZG" frameborder="0" allowfullscreen></iframe>Anonymoushttp://www.blogger.com/profile/04798078021480010220noreply@blogger.com0